Venture™ Font Family

Venture™ Script (Linotype Originals) More details ... Add to shopping cart Price from: US$ 39.00

German designer Hermann Zapf created the following fonts: Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009), [...]

Venture™ Venture Script reflects Hermann Zapfs handwriting. It was originally written with a Japanese feltpen. And like with Zapfs typeface Noris Script™ he wanted to preserve the rough outline of the handwritten form in the final drawings. Venture Script was made also for the Linofilm photocomposing system and released in 1969. ITC Zapf Book® Zapf Book font is a blend of the characteristics of Walbaum, Melior™ and the contrasting weights of Bodoni. It is a typical Zapf font, distinction [...]

Font Designer: Hermann Zapf, 1969 Venture™ reflects Hermann Zapf’s handwriting. It was originally written with a Japanese feltpen. And like Zapf's typeface Noris Script® he wanted to preserve the rough outline of the handwritten form in the final drawings. Venture was made for the Linofilm photo-composing system and released in 1969. Similar faces with rough outlines are Ruling Script™, Papyrus™, and Galahad™.

Venture reflects Hermann Zapf's own handwriting; it was originally written with a Japanese felt pen. Just as with his Noris Script typeface, Hermann Zapf desired to preserve the rough outline of the handwritten forms in the final drawings. Unlike many script faces, there are no connecting strokes in Venture, making the design feel more open, and perhaps a bit more like a printing type. Venture was made for the Linofilm photocomposition system and released in 1969. Similar faces with rough outlines are Ruling Script, Papyrus, and Galahad, but the typefaces with the closest resemblances are Hermann Zapf's own Palatino Sans and Palatino Sans Informal. These share the same underlying design harmony and informal nature.