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T.26

Linotype usage sample for
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London Font Family (T.26)
Digital data from: T.26
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    London Font Family  
     
2 Rebels Deux Font Family (T.26)
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    2 Rebels Deux Font Family  
     
7 Seconds Font Family (T.26)
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    7 Seconds Font Family  
     
99 Cents Font Family (T.26)
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Aaux Font Family (T.26)
Digital data from: T.26
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    Aaux Font Family  
     
Able Font Family (T.26)
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    Able Font Family  
     
ABS Font Family (T.26)
Digital data from: T.26
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    ABS Font Family  
     
Acetone Font Family (T.26)
Digital data from: T.26
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    Acetone Font Family  
     
Adrenalin Font Family (T.26)
Digital data from: T.26
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    Adrenalin Font Family  
     
Aeos Font Family (T.26)
Digital data from: T.26
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    Aeos Font Family  
     
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Documents referring to these items ...

Marcus Burlile was born in Columbus, Ohio in 1970 to a handsome, yet modest couple. From the introduction of letterforms as a young boy, the interest of art and lettering continues to grow as the greatest interest in his life. A majority of time is spent pursuing this desire. He studied art, design, and typography in La Jolla, California obtaining a bachelor's degree in design in 1992. His pursuit of self-exploration with type have currently yielded over one hundred digital fonts retailed [...]
Jim Marcus was on born March 22nd, 1966 in Chicago, USA. He created the following fonts: ABS, Acetone, Aeos, Aerator, Airflo, AreteMono, Axiom, Bon Guia, Calculus, Coaxial, Digital, Django, Eraser, Eremaeus, Escalido, Fedorov Anglo, Fgroove Eighty, Fgroove Seventy, Geist, Glue, Grenoway, Helter Skelter, Hypercell, IDE, Ingredients, Iso Opto, Julie, Kode, Konvexist, Kurusu, Lassigue Dmato, Lexigraph, Magyar Posta, Maxigroove, Milagro, Octopus, Opaque, Phlax, Polytone, Prophecy, Pulsar, Quad, [...]

About T.26 ...

Linotype usage sample for
T.26 was founded by Carlos Segura in 1994 to explore and promote new and independent directions in typography. Since its inception, T.26 has blossomed into the premier source for designer fonts. From cutting-edge to conservative, humanist to techno, script to bitmap, T.26 continues to look beyond stylistic categories to find the endless value in typographic variety.

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Page last edited: 2008-12-17