English Deutsch Français

Advanced search ...

 
Font Lounge
>Current Samples
>By Alphabet
>Ads/Arts & Media
>Ads/Business
>Ads/Computers & Internet
>Ads/Health
>Ads/Lifestyle
>Ads/Recreation
>Magazines
>Corporate Business
>Annual Reports
>Books
>Brochures
>Cards & Invitations
>Flyers
>Arts & Media
>Newspapers
>Packaging/Imprinting
>Posters, Signposting & Calendars
>Website Design

Books
In: Home › Font Lounge › Fonts in Use
See how Linotype fonts are used for books from all over the world.
Click one of the images to see a larger version.
Fonts: Linotype Arcadia™
Designer: Neville Brody
Source: “Breakfast in Bed”
Fonts in Use: Breakfast
 
Fonts: Linotype Aroma™
Designer: Tim Ahrens

Get information about Linotype Aroma and view samples.
Source: “Picnic at Hanging Rock”
Fonts in Use: Picnic_at_Hanging_Rock
 
Fonts: Avenir™
Designer: Adrian Frutiger

Get information about Avenir and view samples.
Source: “Stadtlandschaft Mainz II”
 
Fonts: Bell Gothic™
Designer: Chauncey H. Griffith
Source: “Resource Kit Eight”
 
Fonts: Bodoni
Designer: Morris Fuller Benton
Source: “Die falsche Tochter”
 
Fonts: PNM Caecilia™
Designer: Peter Matthias Noordzij
Source: Jahrespublikation Stuttgarter Druck- und Medientechnik
Fonts in Use: Jahrespublikation_1
Fonts in Use: Jahrespublikation_2
 
Fonts: Compatil™ Text und Compatil™ Letter
Designer: Linotype
Source: Hermann Schmidt Verlag “Geschäftsberichte”
 
Fonts: Compatil™ Fact
Designer: Linotype
Source: “Der kleine Besserwisser”
 
Fonts: Linotype Compatil™ Fact and Linotype Compatil™ Text
Designer: Linotype
Source: F.A.Z.-Institut “Interactive Marketing”
Fonts in Use: Interactive_1
Fonts in Use: Interactive_2
 
Fonts: Linotype Compatil™ Fact
Designer: Linotype
Source: kommunikationsverband.de “BoB”
Fonts in Use: kommunikationsverband_1
Fonts in Use: kommunikationsverband_2
 
Fonts: Demos™
Designer: Gerard Unger
Source: “Het lot van de kinderen van Lir”
Fonts in Use: Deutsche_Finanzagentur
 
Fonts: Diverda™ Sans und Palatino™
Designer: Daniel Lanz, Hermann Zapf
Source: “Mythologeme in der Werbung”
 
Fonts: Fairfield™
Designer: Rudolf Ruzicka

Get information about Fairfield and view samples.
Source: “Tödliche Verbindung”
Fonts in Use: Toedliche_Verbindung_1
Fonts in Use: Toedliche_Verbindung_2
 
Fonts: Stempel Garamond™ and Pinxit™
Designer: Claude Garamond and Ania Cremer & Pixelzoo

Get information about Garamond and view samples.
Source: “Netsurfer – Fünf Minuten zu spät”
Fonts in Use: Netsurfer
 
Fonts: Stempel Garamond™ and Linotype Syntax™
Designer: Robert Granjon and Hans Eduard Meier

Get information about Garamond and view samples.
Source: “Druckfarbe zwischen Alchemie und Hightech”
Fonts in Use: Druckfarbe_Title
Fonts in Use: Druckfarbe_innerpage
 
Fonts: Linotype Gianotten™ and Univers™
Designer: Antonio Pace, Adrian Frutiger

Get information about Univers and view samples.
Source: “Tilburg: bijzonder gewoon”
Fonts in Use: Tilburg_1
Fonts in Use: Tilburg_2
 
Fonts: Melior™
Designer: Hermann Zapf
Source: “The Fine Arts Cookbook”
 
Fonts: Neue Helvetica™
Designer: Max Miedinger

Get information about Neue Helvetica and Helvetica and view samples.
Source: IWC Schaffhausen
Fonts in Use: IWC_Sammelband
 
Fonts: Neue Helvetica™
Designer: Max Miedinger

Get information about Neue Helvetica and Helvetica and view samples.
Source: IWC Schaffhausen
Fonts in Use: Workbook
 
Fonts: Neue Helvetica™ and Sabon Next™
Designer: Max Miedinger and Jean François Porchez

Get information about Neue Helvetica and Linotype Sabon and view samples.
Source: “Das Vierte Buch”, Fachhochschule Wiesbaden
Fonts in Use: DasVierteBuch
 
Fonts: Kabel™
Designer: Rudolf Koch
Source: “Schlösser des Kantons Bern”
Fonts in Use: Schloesser
 
Fonts: ITC Kabel®
Designer: Victor Caruso
Source: “The Cat Who Brought Down the House”
Fonts in Use: The_Cat
 
Fonts: ITC Luna™
Designer: Akira Kobayashi
Source: “Too Much of a Good Thing”
Fonts in Use: Too_Much
 
Fonts: ITC Luna™
Designer: Akira Kobayashi
Source: “vos amis vous attendent”
Fonts in Use: Aquarium
 
Fonts: Linotype Typo American™
Designer: Mark Stanczyk
Source: „Ring”
 
Fonts: Notre Dame™ and Sabon Next™
Designer: Karlgeorg Hoefer and Jean François Porchez

Get information about Sabon and view samples.
Source: “Das Vierte Buch”, Fachhochschule Wiesbaden
Fonts in Use: DasVierteBuch
 
Fonts: Reporter™ #2
Designer: Carlos Winkow

Get information about Reporter and view samples
Source: “Endlich Ferien”
 
Fonts: Linotype Sabon™ Next
Designer: Jean François Porchez

Get information about Sabon and view samples.
Source: “Prix Charles Peignot”
Fonts in Use: Prix_1
Fonts in Use: Prix_2
 
Fonts: Linotype Sabon™ Next
Designer: Jean François Porchez

Get information about Sabon and view samples.
Source: “Esel- und Mulihufe”
Fonts in Use: Prix_1
Fonts in Use: Prix_2
 
Fonts: Sabon™ Next
Designer: Jean François Porchez

Get information about Sabon and view samples.
Source: “Collection de Spécimens de Caractères”
 
Fonts: ITC Silvermoon™
Designer: Akira Kobayashi
Source: “Anybody Can Write”
Fonts in Use: Anybody
 
Fonts: Staehle Graphia™
Designer: Walter Stähle
Source: Die Droste und ihr See
Fonts in Use: Droste_1
Fonts in Use: Droste_1
 
Fonts: Linotype Syntax™
Designer: Hans Eduard Meier
Source: Gestaltungsbücher
Fonts in Use: Gestaltungbuecher
 
Fonts: Linotype Syntax™
Designer: Hans Eduard Meier
Source: “Typografian käsikirja”
Fonts in Use: Typografian_title
Fonts in Use: Typografian_innerpage
 
Fonts: Linotype Syntax™
Designer: Hans Eduard Meier
Source: The Best German Book Design 2005
 
Fonts: Trajan™
Designer: Carol Twombly
Source: "Nomaden der Lüfte"
Fonts in Use: Nomaden_der_Luefte
 
Fonts: Zapfino™
Designer: Hermann Zapf

Get information about Zapfino and view samples.
Source: “Liebe Kate”
Fonts in Use: Kate_1
Fonts in Use: Kate_2
 
Fonts: Zapfino™
Designer: Hermann Zapf

Get information about Zapfino and view samples.
Source: “Calligraphic Type Design in the Digital Age”
Fonts in Use: Calligraphic_Type_Design
 
Fonts: Zapfino™ and Minion™
Designer: Hermann Zapf and Robert Slimbach

Get information about Zapfino and view samples.
Source: “Shylock’s Daughter”
Fonts in Use: Shylocks_Daughter
 

Arcadia, Demos, Fairfield, Helvetica, Kabel, Melior, Palatino, Sabon, Syntax and Univers are trademarks of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. Avenir, Compatil, PMN Caecilia and Zapfino are trademarks of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Bell Gothic, Diverda, Linotype Aroma, Linotype Gianotten, Linotype Typo American, Notre Dame, Pinxit, Reporter, Staehle Graphia and Stempel Garamond are trademarks of Linotype GmbH and may be registered in certain jurisdictions.

Minion is a registered trademark of Adobe Systems Incorporated which may be registered in certain jurisdictions. Trajan is a trademark of Adobe Systems Incorporated which may be registered in certain jurisdictions.

ITC Luna and ITC Silvermoon are trademarks of International Typeface Corporation and may be registered in certain jurisdictions.

For further information do not hesitate to contact us via:

Phone:+49 (0) 6172 484-418
Fax:+49 (0) 6172 484-429
e-mail:info@linotype.com

Copyright © 2008 Linotype GmbH. All rights reserved.
We reserve the right of errors and changes.
Top of page
Page last edited: 2008-03-12